WEKO3
アイテム
『お気に召すまま』におけるfancy
https://ompu.repo.nii.ac.jp/records/518
https://ompu.repo.nii.ac.jp/records/5188de81756-b383-44c3-ae66-30275eaf1a26
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
1-3_論文_田邊久美子 (5.6 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2023-05-01 | |||||
| タイトル | ||||||
| タイトル | 『お気に召すまま』におけるfancy | |||||
| タイトル | ||||||
| タイトル | Fancy in As You Like It | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
田邊, 久美子
× 田邊, 久美子× TANABE, Kumiko |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper discusses the elements of“fancy”, that is, disguise, sight (especially, love at first sight) and figures of speech in William Shakespeare’s As You Like It (1599), revolving around the role of the heroine Rosalind disguised as a man who is the representation of fancy in the play. Fancy reverses and unites opposites, and is relevant to inspiration, love, figures in rhetoric, objects, beauty in appearance and otherness. Fancy indicates the passivity of the subject which obeys the object or the other in passion. In other words, love at first sight or fancy in the subject is aroused by looking at the beauty of the object’s appearance (or external beauty). Rosalind makes use of fancy and manipulates Orlando with sight and rhetoric to give him lessons in fancy or love. Similarly, Touchstone as the fool makes use of fancy and reverses and unites opposites, leading to the unity between fancy and true love at the end of the play. Although this paper was originally an extended version on a part of Chapter 1 and 2 of my book Gerard Manley Hopkins and His Poetics of Fancy (Cambridge Scholars Publishing, 2015) as well as on the paper read in my presentation at a seminar of the Shakespeare Society of Japan, held at Konan University on the 2nd October, 2022, it has become much more extensive than before, because I gained new insights and perspective later about the way in which Rosalind disguised as Ganymede and a magician is concerned with alchemy (magic), Diana (Artemis) and Queen Elizabeth I, and I have come to realize that they are the most significant elements of fancy in this play. This paper also discusses variations of fancy with the elements of metamorphosis, Nature, beauty, cheerfulness, the future, the other and abrupt parallelism, and especially marriage seen in the last stage of the experiment of alchemy as the representation of the unity of opposites, which Rosalind as magician or alchemist organizes with Hymen as the god of marriage at the end of As You Like It. |
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| 書誌情報 |
大阪医科薬科大学 薬学部雑誌 en : Bulletin of the Faculty of Pharmacy, Osaka Medical and Pharmaceutical University 巻 2, p. 57-95, 発行日 2023-03-28 |
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| 出版者 | ||||||
| 出版者 | 大阪医科薬科大学薬学部 | |||||
